Nagma Sahi Ansari, SHASTRI Research Student Fellowship, 2017
Nagma is PhD student from the AJK Mass Communication Centre at Jamia Millia Islamia University in New Delhi, with whom Cinema and Media Arts/AMPD have enjoyed a partnership for more then 25 years. Nagma’s research project examines the presentation and of self through memory and performance using “selfies” and other representations on networked and social media. Her work seeks to better understand how these images of self, which circulate instantaneously across a number of platforms, are received and understood by multiple audiences in local and global contexts.
Dr. Hart Cohen, Visiting Scholar, 2016
Dr. Hart Cohen is Associate Professor in Media Arts in the School of Humanities and Communication Arts and a member of the Institute for Cultural and Society and the Digital Humanities Research Centre at Western Sydney University, Australia. Dr. Cohen has led three Australian Research Council Projects related to the Strehlow Collection held at the Strehlow Research Centre in Alice Springs. Two documentary films commissioned by Public Television in Australia have been made in relation to these projects: Mr. Strehlow’s Films (SBSI 2001) and Cantata Journey (ABC TV 2006) with a third film recently completed titled, Ntaria Heroes. Hart has joined the research team on the SSHRC project, Patterns that Connect: Re-curating Edmund Carpenter’s Anthropology Media Studies. Hart Cohen is co-author of Screen Media Arts: An Introduction to Concepts and Practices for Oxford University Press (2009) and is editor of the Global Media Journal/Australian Edition: 2007-present. He has a sole-authored book placed with Talyor and Francis titled, The Strehlow Archive: Explorations in old and new media due out in 2017.
Lizzy Pournara is a Ph.D. candidate in the Department of American Literature and Culture, School of English, Aristotle University of Thessaloniki. She also holds a BA in English Literature and Language (2011) and an MA in English Literature (2013). Her research interests focus on contemporary American poetry, multimodality, artists’ books, digital literature, book-making and creative writing. Her Ph.D. thesis revolves around the aspect of multimodality in contemporary poetic practice and investigates the impact of inscription technologies on creative writing practices and formation of reading habits.
Cristian Villavicencio’s Videos
Cristian Villavicencio (b.1984, Quito-Ecuador) Lives and works in Bilbao, Spain. Artist and Researcher, is currently carrying out his Ph.D. project titled The materiality of the moving image, at the University of the Basque Country supported by a Ph.D.grant from the Department of Education, Universities and Research, Basque Government. His artwork has been exhibited in museums of the Basque Country, Spain like Centro Cultural Montehermoso Kulturunea (2013), Guggenheim Bilbao Museum (2013) and internationally in Ars Electronica Festival (2014) in Linz – Austria, and BIM (Moving Image Biennale, 2013) in Buenos Aires – Argentina. In 2015 Cristian has been granted the “Artist in Gallery Award” at Premio Arte Laguna in Venice Italy and the second Prize at Ertibil Bizkaia, Spain (Young Artist Award). He had a three months visiting research period at Interface Cultures Department at Linz – Austria (2014) and an artist in residency period at MA Studio in Beijing China (2012).
William Uricchio is Professor of Comparative Media Studies and Principal Investigator of the MIT Open Documentary Lab and the MIT Game Lab. He is also Professor of Comparative Media History at Utrecht University and a fellow of the Institute for Advanced Study (Lichtenberg-Kolleg) at Georg-August-Universität Göttingen. He has been awarded Humboldt, Guggenheim and Fulbright fellowships, and most recently, the Berlin Prize. His research interests include revisiting the histories of old media when they were new; algorithmic enablements of participatory cultural forms; the history and future of television; cultural identities and the question of “Americanization” in the 20th and 21st centuries. His publications include Reframing Culture (1993); We Europeans? Media, Representations, Identities (Chicago/Intellect, 2008); Media Cultures (Heidelberg, 2006). He is currently completing books on the deep history of television; on history-based games; the playing of history and historiography after post-structuralism; and editing a collection of essays for the British Film Institute entitled Many More Lives of the Batman.