Sensorium hosts an annual Speaker Series that profiles the research of Sensorium members, invited artists, and scholars. The series seeks to promote knowledge mobilization, artistic and/or research collaboration, and engage with other disciplines and communities across the York campus.
All are welcome to attend; no RSVP required!
Research Talk with Heather Barnett and Physarum polycephalum
Sensorium Research Loft (M333)
4th Floor, Joan & Martin Goldfarb Centre for Fine Arts
The slime mould (Physarum polycephalum) is a bright yellow amoeba that possesses primitive intelligence, problem solving skills and memory. It is highly efficient at forming networks between given points and has been used to map the worlds’ transport networks, migration routes, and desire paths. Most notably, in 2010 it accurately replicated the Tokyo suburban rail network. The slime mould is also quite beautiful, the branching patterns reminiscent of forms seen at varying scales within nature, from blood vessels to tree branches, from river deltas to lightning flashes. It can learn about its environment, remember where it’s been and navigate through complex territories – all without any sensory organs and not a single neuron to its name.
Heather Barnett’s art practice engages with natural phenomena and complex systems. Working with live organisms, imaging technologies, and playful pedagogies, her work explores how we observe, influence and understand the world around us. Recent work centres around nonhuman intelligence, collective behaviour, and knowledge systems, including The Physarum Experiments, an ongoing ‘collaboration’ with an intelligent slime mould; Animal Collectives collaborative research with SHOAL Group at Swansea University; and a series of publicly sited collective interdisciplinary bio/social experiments, including Crowd Control and Nodes and Networks.
This event has been made possible thanks to the support of the School of Cities and New College (UofT), and is a collaboration between ArtSci Salon, Sensorium, the Research Centre for Creative inquiry and Experimentation, the Departments of Computational Art and Visual Art & Art History at York University. Research for this event was supported by the Social Sciences and Humanities Research Council of Canada. ArtSci Salon is an interdisciplinary program hosted by the Fields Institute for Research in Mathematical Sciences. LASER – Leonardo Art Science Evening Rendezvous is a project of Leonardo® /ISAST.
We are pleased to welcome Professor Hannah Thompson for the final Master Class and Lecture in the Peripheral Vision Speaker Series! Join us this Thursday, March 28th for The Aesthetics of Audio Description Master Class.
Thursday, March 28th 11:00am-1:00pm
Sensorium Research Loft (M333), 4th Floor GCFA, York University.
Wheelchair Access | ASL Interpretation Provided
To RSVP email firstname.lastname@example.org
This class will use insights from critical disability studies to explore how audio description might enhance the aesthetic experience of both blind and non-blind beholders. Drawing on articles published in the 2018 special issue of Disability Studies Quarterly, ‘Blindness Arts’, we will explore what non-visual ways of engaging with art and artefacts might teach the visually dependent world. When it is made available to everybody and included in the conception of an exhibition or artwork, can audio description be celebrated as a privileged example of “blindness gain” which works to challenge ocularcentric understandings of the hierarchy of the senses?
Friday evening the Peripheral Visions Speakers Series, Tangled Art + Disability and the Bodies in Translation Project present “Blindness Gain and the Art of Non-Visual Reading” a public lecture which celebrates the critical and creative power of blindness.
Friday March 29, 6:00-8:00pm, reception to follow
Location: Tangled Art + Disability, 401 Richmond Street
Wheelchair Access | ASL
Through a discussion of examples from 19th century French literature and art, Professor Thompson will argue that blindness is a fruitful theoretical stance available to both blind and non-blind people, Thompson’s Critical Disability Studies approach will dismantle the traditional hierarchy of the senses and invite new ways of beholding familiar texts and images.
BIO: Professor Thompson has published widely on French literature and theory, the body, gender, sexuality and disability. She is the author of three books on French literature and culture including Reviewing Blindness in French Fiction (1789-2013) (Palgrave, 2017), which marks the start of Professor Thompson’s influential work on the cross-overs between French Studies and Critical Disability Studies. Professor Thompson has published two edited volumes: New Approaches to Emile Zola and Corporeal Practices: (Re)Figuring the Body in French Studies (with Julia Prest). In 2015 she co-organised the Blind Creations conference and micro-arts festival with Vanessa Warne and she is the author of the popular Blind Spot Blog.
The Peripheral Visions Speakers Series is a partnership of the Sensorium Centre for Digital Arts and Technology, VISTA: Vision Science to Application and the Peripheral Visions Lab. This event is co-sponsored by Tangled Art + Disability, Bodies in Translation: Activist Art, Technology and Access to Life, the Graduate Program in Critical Disability Studies, The Departments of Theatre and Cinema and Media Arts, and the Performance Studies (Canada) Speaker Series. We are grateful for support from the Canada Research Excellence Fund and the Social Sciences and Humanities Research Council of Canada (SSHRC).
The Peripheral Visions Speaker Series is co-curated by Mary Bunch, Laura Levin, and Lauren Sergio.
Public Lecture & Master Class with Dr. Kelly Fritsch
Please join us for the next event in Peripheral Vision Speaker Series as we welcome Professor Kelly Fritsch. Kelly Fritsch is an Assistant Professor in the Department of Sociology and Anthropology at Carleton University in unceded Algonquin territory whose work research broadly engages crip, queer, and feminist theory to explore the relations of disability, health, technology, risk, and accessibility.
Masterclass @ York University
Crip Technoscience for Disabled Cyborgs: Access, Community, Politics
Thursday, March 21, 2019 | 11:00am-1:00pm | Sensorium Research Loft
4th Floor of Goldfarb Centre for Fine Arts
York University, 4700 Keele Street
For accessibility and to RSVP please contact email@example.com
Kelly Fritsch engages with the emerging field of crip technoscience, exploring what it means for disability politics, community, and access. Taking up Alison Kafer’s provocation that disabled people are cyborgs because of their politics rather than their impairments, Fritsch explores the ways in which disabled community forms out of frictional and ambivalent relations to technoscience, marking out the implications of these relations for social justice practices.
Public Lecture @ OISE
Crip Commitments: Disability, Theory, Politics
Thursday, March 21st, 2019 | 6:00-8:00pm | OISE Library
University of Toronto, 252 Bloor St. West
All Welcome – Free | Wheelchair accessible | ASL | Refreshments
For accessibility or additional information,
please contact firstname.lastname@example.org
New College Disability Studies Speaker Series in collaboration with York University’s Peripheral Vision Speaker Series present the public lecture, Crip Commitments: Disability, Theory, Politics. Engaging the frictions of crip and disability theory, Kelly Fritsch non-innocently considers the possibilities of radical social change that emerge through knowing and making disability differently.
Sensorium, VISTA and The Peripheral Visions Speaker Series Presents:
DREAMS, VISIONS, HALLUCINATIONS: DISABILITY & OTHER WAYS OF SEEING
March 6, 2019 | 4-5:30 pm in the Joe G. Green Theatre
Dolleen Tisawii’ashiiManning hosts a public conversation with Traditional Doctor and Elder Mona Stonefish on Anishinaabe dream imaging practices and their implications for critical disability studies. Manning worked with her mother and Stonefish in developing her mnidoo theory of consciousness. This interrelational understanding of perception and knowing involves a possession by these living potencies, along with an expanded understanding of vision. In this discussion, they question western conceptions of ability and disability, while also considering the debilitating impact of colonialism.
Rod Michalko – “Blindness Meets the Devil” &
Devon Healy – “The Feel of Blindness:
Venue: The Sensorium Loft
4th Floor, Goldfarb Centre for Fine Art at York University
We are excited to announce the second event in the Peripheral Visions: Critical Disability Arts Perspectives on Vision, a series of public talks, conversations and masterclasses. Join us next week as Peripheral Vision Lab, Sensorium and VISTA welcome Rod Michalko and Devon Healy for an engaging afternoon of public talks. Rod Michalko will be presenting “Blindness Meets the Devil” a paper which explores blindness and how it meets itself, Devon Healywill be presenting “The Feel of Blindness” a paper which examines the feeling of difference in the body which illuminates blindness.
Faculty and graduate students are also welcome to participate in a Master Class at the Sensorium Loft on Thursday, January 17, from 11:00am-1:00pm. To sign-up for the Master Class, please RSVP to: email@example.com
from Taien’s most recent work Stratigraphic City (2017)
This talk will be rescheduled at a later date. Please Please visit our Contact Page if you’d like to subscribe to the Sensorium newsletter for updates.
GCFA 214 (Faculty Lounge)
12:30 – 2:00 PM
Taien Ng-Chan is a Hamilton-based writer and media artist, whose research investigates everyday urban life through experimental and locative media, cartography, poetry, and documentary. Place and mobility have been central themes in her works, which have been shown across Canada, in the US, Korea, New Zealand, Sweden, and the UK. She has also published four books and anthologies, produced multimedia websites, and written for stage, screen, and radio. Currently, Taien is developing The Trajectories of Things, which proposes to trace the movement of people through objects that act as repositories of memory. The concept is based on the idea of “thing poetry” (as practiced by poets such as Francis Ponge and Pablo Neruda) and what Taien calls “object-oriented storytelling.” Taien is a founding member of the Hamilton Perambulatory Unit (HPU), an artist-research collective that gives performative walking events, as well as the NEW Committee, a group dedicated to increasing the visibility of BIPOC artists in the Hamilton arts community.
Freya Björg Olafson in ‘MÆ – Aftereffect’ | Photo: Robbie Sweeny
Freya Björg Olafson (Dance): I POST THEREFORE I AM
Tuesday, February 6, 2018
5:30 – 7:30 PM